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So all of my drums - let’s go ahead and mute the instruments - are being fed out of these tracks here via the outputs, hard sent, and arriving at this drum aux, which I can then treat separately from the instruments, which are also sent out hard sent. I’m not sure if I’ve broken a hundred yet, but there are a lot, as you can see.
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So that’s basically what I’ve done here, which is very helpful when you’re talking about a session like this, where you’ve got a lot of tracks. However, he came up with the ingenious idea to separate parts of the arrangement like drums, vocals, instruments, to separate busses, such as drums, instruments, and vocals, which would allow him to treat the different parts separately and have them not affect each other negatively. Essentially it begins with Michael Brauer, who as legend has it, was working with Aretha Franklin, and he found when he tried to bring up the bass, everything else became a little bit more quiet, because he was feeding too much signal to the master buss. Okay, so the story about multi-buss compression. It’s still a work in progress, but I hope you enjoy it. This is exciting, because normally the tracks that I use are ones that I’m just mixing, but in this case, I wrote and am producing this one, and I recorded and played most of the parts myself.
#Uad fatso how to
We are with The Pro Audio Files, and today I am going to be talking about multi-buss compression, and how to use the UAD Fatso to make your drums pop and come to life. But then I forget about it for a while after that project.Greetings! My name is Ian Vargo, and that’s my assistant Luigi. I don't know why I don't use it more! I go back to it every couple of projects and I'm always excited about what it does. I was just using the UBK-1 compressor plugin today (which is apparently a not-bound-by-limitations-of-physical-circuitry nod to the modded and non-modded Fatso) and I'm again reminded of why I like that thing so much and why I keep going to back to thinking about grabbing a hardware piece. It’ll change your life, I’m not kidding." So grab an old preamp, or guitar pedal, or anything that has a level up and down control, and put it to good use. It also means you’re compressing a richer, rounder source, which to my ears generally leads to a more euphonic end result.
![uad fatso uad fatso](https://images.reverb.com/image/upload/s--p7j9PhTL--/t_card-square/v1634074104/k9emf6t0avp0dmxjnsdj.jpg)
Hard because the initial transient is already softened. As a first stage to compression, it means the compressor needs to work less It adds color, drive, presence, and girth to signals without drawing any attention to the fact that anything was done. I’m all about less compression and more saturation, because saturation is such a more natural, soft, unobtrusive, and ‘round’ sounding phenomenon. Saturation is, in my opinion, at the heart of the sound of analog tape and all those records whose sound you love. As soon as you play with this kind of setup, you will understand why I’m stressing it. Why is this so important? Because it allows you to control the amount of saturation and distortion you exert on the signal independently of how much you compress it. This effectively gives you a threshold control: turn the insert volume up, and you get more compression, and turn the volume down and you get less compression. "I alluded to this earlier in the manual, and now I’m gonna do my best to drill it into your skull: you really, *really* need to insert a gain changing device into the UBK Fatso’s rear panel Insert, one on each channel. To say that when you do, this piece of hardware becomes an entirely new animal." However, if you avail yourself of the Insert on the rear panel, you will gain independent control over the sat and comp circuits, and it is no exaggeration More of one always produces more of the other, and vice versa. "If you simply operate the UBK Fatso in its default mode, you cannot separate the degree of saturation it produces from the amount of compression it generates.
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But you can control the sat circuit independent of the comp by inserting a simple gain control in the UBK Fatso’s rear-panel Insert jack." More input = more saturation = more compression. "By default, the saturation circuit and the compressor section act as one.
#Uad fatso mod
That's what Greg from Kush Audio also recommends.Ī quick couple of passages and one longer explanation from the manual for his UBK Fatso mod of the Empirical Labs Fatso (you can read the whole UBK-modded Fatso manual here: ):